Here’s another Madness contest which splits our brains—the infinite gulf poets navigate—between imagery and speech, between showing and telling, between photograph and rhetoric, between gazing and sermonizing.
Sarah Howe, a youngster who just won the T.S. Eliot Prize, snaps, snaps, snaps with her camera:
the razory arms of a juniper rattling crazily at the edge of that endless reddening haze
And there the eye goes, to the juniper—with thought hurrying to catch up.
But since the eye can’t really “see” poetry, thought gains, and takes the lead, and universities are founded—where they teach Endless Reddening Haze 101.
Meanwhile, Emily Kendal Frey asks the eye to do nothing, appealing to the Muse in a completely different way:
How can you love people without them feeling accused?
This line goes to the heart of all social and romantic confusion.
And a juniper does not have to be mentioned.
Pictures unite us immediately, for every reader, whether they want to or not, see what the poet has seen, and language is precise enough that we all “see” the “razory arms of a juniper rattling crazily at the edge of that endless reddening haze.”
Showing is something which poetry can do.
If we watch a really good dancer, we might think to ourselves, boy they are good, without enjoying the dance itself. We love what the dancer can do, but we don’t love the dance. And yet, loving what the dancer can do, we will still stand around applauding with others, because of what the dancer is doing, and have a good time, united with the appreciative audience.
Telling is something poetry is.
Thought is less direct in the showing that poetry does, because first the poet has to say, I am going to show the reader this particular thing I see, in order to present a poem which…
Thought is more direct in the telling of poetry, because they are the same. The following is a thought: How can you love people without them feeling accused?
The combination of “love” and “accuse” is what makes the thought startling and interesting.
It is a psychological truth that has a certain original force.
But does Frey’s line “unite” everyone immediately?
No, because some would say: this doesn’t make any sense. To love is not to accuse. Not in my world, anyway.
But the psychologically subtle, the psychologically astute, will understand the truth of this line—it is wise, for it contains a deep understanding of human psychology.
We apologize if all we have said so far is a truism, and nothing about poetry has really been said.
Or, perhaps poetry lives in those places where nothing about poetry can really be said.
The juniper rattles, accusing us, no matter which one of these poets wins.
maryangeladouglas said,
April 5, 2016 at 1:24 pm
I’ve been in situations where ONLY the trees don’t accuse, as have others I think. Why I can look at the trees endlessly.
maryangeladouglas said,
April 5, 2016 at 2:29 pm
HOW TO READ ANOTHER POET’S POEM
how to read another poet’s poem:
carefully, as if a world hung in the balance:
sapphire, suspended.
as if you were the wind
turning the page.
without rage, animosity
the hidden sharpened knives.
simply, as if you were a child
learning letters one by one
by blocks of the red and green
in a land without clocks and
in, if possible, impossible:
the fairy tale’s gleam
mary angela douglas 5 april 2016
maryangeladouglas said,
April 5, 2016 at 5:41 pm
I love the word juniper. I don’t think I’ve ever seen a juniper tree. But for the juniper to be rattling it seems to me it must be dried up and withering away and I don’t want it to be. Sadly this causes me to reject the line. Also I think of a desert landscape with rattlesnakes nearby and the rattling coming from them. It is not fair to the poet but this is what arises in my mind when I read this poem and this is precisely the landscape I do NOT want to read about or live in so I have to, being short on time relatively speaking at my age, reject the line and whatever it is attached to because I have had enough of deserts in my life and I am looking for the greening land, the crystal spring, and the singing bird.
maryangeladouglas said,
April 5, 2016 at 5:44 pm
Of course I am inferring the poem from the line and it could turn out the poem does have the colour green in it and birdsong, but somehow, I don’t think so. This is not a judgement on the poem or the poet who has a right to paint deserts her whole life if she chooses to. Georgia O Keefe did but her deserts never rattled.
maryangeladouglas said,
April 5, 2016 at 5:51 pm
TO WILLIAM BLAKE
where is the compass of roses
is it where the engravings remain unfinished
on your little work table where the sun came in
and oh, I hope, the perfumed lilacs
blended at the margins of the Other World or
where you left off singing.
and tygers shyly bowed down to you
in no wild land;
gladness of springing
the almond trees at hand
the echoing greens and the children
belong to them
who recognized you at once.
and Dante lingering there
by the porticoes in a sunrise
to which your eyes had not
yet accustomed themselves.
and Jesus the lamb
who understood your verses
all along.
mary angela douglas 5 april 2016
noochinator said,
April 5, 2016 at 8:14 pm
NIGHT IN ARIZONA
The last of the sheet I shuffle off an ankle —
a sound like the spilling of sand
from shovel and the night air blurs
for a second with its footfall.
Our entwined shape a word in the dark.
On my forehead and cheek
each flourishing
charge of your breathing
is a moment’s reprieve. Heat
in this place goes deeper than sleep,
wraps everything, increases sheen —
the forearm weighing your flank
as, dreaming, you turn from me,
curlicues slick on the backs
of thighs, my hand at your neck
and eyes aware of several kinds of dark
struggling to perfect themselves
— the hidden chair, the bouquet of our clothes
the razory arms of a juniper rattling crazily
at the edge of that endless reddening haze —
glad we move on to the city at dawn.
—Sarah Howe
noochinator said,
April 5, 2016 at 8:18 pm
IN MEMORY OF MY PARENTS WHO ARE NOT DEAD YET
Is it harder for the bachelorette or her suitors?
The brown oyster mushroom
on her face is possibly the most perfect
nose I have ever seen. I think people
might actually win love. The funny guy always
appeared safe but later you saw him
in the dark green yard
puking, a thin
sweat on the back of his neck.
I want the air I breathe
to maintain my body’s
mystery. I worry I’ll run into you at a party
then I remember I don’t go to parties
so I’m safe. I have no godly discipline.
When someone yells I still huddle
under a want for ice cream.
How can you love people
without them feeling accused?
If I wanted to win
I would draw harder lines
and sit next to them, stay
awake, rattle the box of bullets.
When we touch my heart
gets green
and white, preppy, bordered,
oh! she says and perks up.
It hurts to not be everyone else. If love dies
it was already dead.
—Emily Kendal Frey
http://www.powderkegmagazine.com/emily-kendal-frey/
maryangeladouglas said,
April 5, 2016 at 8:34 pm
Good to see the truth of what the whole poem(s) look like. No blue birds there.
maryangeladouglas said,
April 5, 2016 at 11:53 pm
I wish with all my heart young ladies now would stop dressing up in Sylvia Plath’s clothes in their poetry. My poems are younger than these poems and that just seems sad to me. If you can’t find hope when you’re young if everything is dire and surreal already what the heck will you be writing in your sixties, or will you even be here. This is a sad and stupid trend that’s been going on too long. Read Sara Teasdale. What’s wrong with that?
maryangeladouglas said,
April 5, 2016 at 11:56 pm
I am not saying they are not poets, they seem good poets in terms of having the words and the images and all that. But their poems make me feel sick like I’m looking in carnival mirrors and riding the tilt a whirl after consuming a million hot dogs. This is a dangerous kind of posing that can cause illness and taken to extremes an untimely death. Is it really possible to look for beauty, grace and light for them? Or did they just have cruel teachers.
maryangeladouglas said,
April 6, 2016 at 12:42 am
The day Sara Teasdale’s poems are cherished again is the day I will know or begin to know the Enemy of our happiness has been routed in the realm of Poetry at least. It is also a beautiful song.
BARTER
by Sara Teasdale
Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children’s faces looking up
Holding wonder like a cup.
Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit’s still delight,
Holy thoughts that star the night.
Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.
maryangeladouglas said,
April 6, 2016 at 10:51 pm
O Won’t You Remember The Popsicle Days
o won’t you remember the popsicle days
the orange and cherry summer nights
lemon, the lime beaded afternoons
and the purple, the purple of the grape ice
defying all definitions of chilled through loveliness.
and then the triple decker in the cartoons of
Tubby and Lulu chocolate vanilla strawerry
stirring tri coloured flag of childhood; beloved brain freeze
of the sidewalk jumping
leapfrogging over the cracks not to
break our mother’s backs so the rhyme flows and flows
around our treasury of days well spent.
oh for the same golden coins later on
the chocolate ones wrapped and caged in a golden net
and priced so reasonably really, ten cents.
or fresh paperbacks come in the mail today today
brown paper crisp and neat string wrapped
and we will learn everything beautiful
and float and kick in the aqua pool
with the best of them
and then it will be fall red and golden over all
and we’ll still be happy singing along
swinging along on the sidewalks
until snows and Christmas
catch up with us the holly laden
lad and maiden when
our shadows for a while will
stop growing and our mothers
stop letting out the hems.
mary angela douglas 6 april 2016
maryangeladouglas said,
April 6, 2016 at 4:01 am
I love the title of Emily’s poem very much. It is kind of like turning time inside out. I guess what I really wish about both poets is that they would be somehow happy. There is a kind of sadness, a heavy core of sadness in both poems. It distresses me to think of them as sad even though I don’t know them. Why does there seem to be such a stigma for so long in American poetry attached to writing happy poems;sardonic doesn’t count;mildly amusing doesn’t count. HAPPY. Of course nothing is more depressing than forced happiness.
maryangeladouglas said,
April 6, 2016 at 5:35 am
NO ONE WILL FEEL THE THINGS THAT YOU FEEL
no one will feel the things that you feel
stepping off cliffs under starlight,
taking with you the pocket handkerchiefs
embroidered with cherries.
no one will catch your drift
but the snow drifts sparkling adown.
and the what ifs will turn into flowers slightly frosted.
and the paper dragons will desist.
these things aren’t numbered on a list one through ten.
and they can’t be on the test
that in your dreams you will confess
to a love of colours
though they urge black and white on you
in the magazines.
you with your fancy corsage of silk lilacs;
the occasional tea rose. your plain collars.
floating off clouds in a pink and blue sleep,
reciting every prayer you have unlearned.
you with poetry to burn
that burns through the lack of innocence in the worlds;
that swirls in the watercolours’ water in the glass
and reflects from all the pearls.
you with no past but Christmas.
listen to me.
it isn’t by accident you shine by
the waters light.
that an occasional star falls down
to remind you of delight.
listen. it takes a long time not to grieve
that the scarlet leaves come down.
that snow completely disappears
every time you turn around
and nod off into the deeps where music Is.
and embroider all your sleep
being just the friend of God.
mary angela douglas 5 april 2016
maryangeladouglas said,
April 6, 2016 at 5:49 am
Sorry. should be: pink and blue “slumber” not “sleep”.
maryangeladouglas said,
April 5, 2016 at 8:55 pm
CATS DO NOT TRUST ME
cats do not trust me.
they sense I can’t stop looking at them
as if they were some kind of exotic dog.
they know I secretly want to throw the ball
for them and watch them scurry back with it.
really, I am their worst nightmare as far
as human beings go. well almost.
only once did a cat try to communicate with me.
a very plump and aged cat, a long suffering family
cat, on the deck next door to mine,
second floor. garden apartments.
Glumpy, (we’ll call him that; it fits)
lay helpless on his back
oozing off of the side.
near him kneeled an exuberant little kid
a gleam in his eye
waiting to push our Glumpy off the balcony’s end.
green eyes flashed a message
with which I empathized;cat telegram:
“God no, not again.”
mary angela douglas 5 april 2016
Gary B. Fitzgerald said,
April 6, 2016 at 3:23 am
The Tyger
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
William Blake
maryangeladouglas said,
April 6, 2016 at 3:52 am
William Blake’s poem on the Tyger is one of the most astonishing poems in the English language. Thanks for posting it here. I liked your cat poem. I like cats a lot but they sadly know I will never understand them. Dogs are fantasticlly wonderful on the whole. Very good at cheering us up.
Gary B. Fitzgerald said,
April 6, 2016 at 7:18 am
Cats rule!
Dogs drool!
Actually, although I’ve had over twenty cats and four horses, we’ve also owned about ten dogs (Great Pyrenees, German Shepherd, Border Collie, Golden Retriever, Great Dane, mutts, mongrels, etc.
I’ve never met a critter I didn’t like (with the possible exception of homonid primates).
maryangeladouglas said,
April 6, 2016 at 8:25 am
That’s a neat way to live with all those animals. When I was a very little kid and my sister was a baby our collie saved her from a snake when we were on a picnic by the river and the dog lost her life from snakebite. They really are amazing, dogs especially.
Gary B. Fitzgerald said,
April 6, 2016 at 3:33 am
Cat
You know that I love you
but you’re becoming a nuisance.
You arrive every place that I am;
come in the car window or
jump on my lap, demand
constant attention, constant
stroking and cooing, needing
to know, insisting, that you’re the only
thing in the world that’s important.
You know that I love you because
you’re so much like me.
Copyright 2008 – HARDWOOD: 77 Poems, Gary B. Fitzgerald
Surazeus said,
April 6, 2016 at 7:45 pm
In this poem I play with both showing and telling so the poetic energy oscillates between both extremes.
Our Human Dream
Surazeus
2016 04 06
I am not what you think I am at all
because I painted my face on your wall
before Death claimed my lost soul as First Prize,
extracting memories of pain from my eyes.
I built my house upon Rock of Salvation
to stage new passion play of desolation
since Dionysus now wears face of Christ
and rules how American Pie is sliced.
Material of our universe is flushed
through regenerating seeds of black holes
in process of rebirth that we can trust
since everyone chooses their social roles.
I sit in sunlight on flower-swirling knoll,
eating apples I pluck from Tree of Life,
and watch with simple joy my favorite foal
play by cool stream while I sharpen my knife.
My brain produces ancient memories
that replay lives my ancestors designed
which provide principles as urgent keys
to open doors in my unconscious mind.
Your magic spells fail to activate dreams
that could illuminate secrets of truth,
so I chant spells to reflect rhymes of streams
that sparkle spirits in Fountain of Youth.
I break free from egg of labyrinth eyes
and dance on ancient shore of flowing stream
where we first stretched our arms to flashing skies
and began this tale of our human dream.
I am what you think I am if you look
beyond my face and read my singing book
whose words trace, on map of our human dream,
coded tales that support our social scheme.