Image result for yellow moon in painting

We don’t know the color of the moon.

I’ve seen her dreaming yellow in the beginning of the evening

As if she were the sun.

I’ve seen her sad, mute and blue in the morning

In love: O what have I done?

I’ve seen the moon change color with the changing clouds,

Clouds the swift night wind is forming,

Clouds which escape, but barely, from the sea.

You didn’t think there was desperation, did you,

In the still evening sky? Maybe you do know,

For your sadness always moves,

Almost escaping, almost happy.

The color of the moon. Is it a voice or a mood?

The painters are in despair, for the moon is always nude.

I despaired, until one day I saw a white moon,

Faint, like my heart, in the bright noon.





  1. noochinator said,

    July 6, 2017 at 3:05 pm

    “Think of the moon, think of Artemis and Cybele, think of the white wonder of the skies, so rounded, so velvety, moving so serene; and then think of the pock-marked horror of the scientific photographs of the moon!

    “But when we have seen the pock-marked face of the moon in scientific photographs, need that be the end of the moon for us? Even rationally? I think not. It is a great blow: but the imagination can recover from it. Even if we have to believe the pock-marked photograph, even if we believe in the cold and snow and utter deadness of the moon—which we don’t quite believe—the moon is not therefore a dead nothing. The moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the moon that pulls the tides, and the moon that controls the menstrual periods of women, and the moon that touches the lunatics, she is not the mere dead lump of the astronomist. The moon is the great moon still, she gives forth her soft and feline influences, she sways us still, and asks for sympathy back again. In her so-called deadness there is enormous potency still, and power even over our lives. The Moon! Artemis! the great goddess of the splendid past of men! Are you going to tell me she is a dead lump?

    “She is not dead. But maybe we are dead, half-dead little modern worms stuffing our damp carcasses with thought-forms that have no sensual reality. When we describe the moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness. Do we imagine that we, poor worms with spectacles and telescopes and thought-forms, are really more conscious, more vitally aware of the universe than the men in the past were, who called the moon Artemis, or Cybele, or Astarte? Do we imagine that we really, livingly know the moon better than they knew her? That our knowledge of the moon is more real, more ‘sound’? Let us disabuse ourselves. We know the moon in terms of our own telescopes and our own deadness. We know everything in terms of our own deadness.

    “But the moon is Artemis still, and a dangerous goddess she is, as she always was. She throws her cold contempt on you as she passes over the sky, poor, mean little worm of a man who thinks she is nothing but a dead lump. She throws back the cold white vitriol of her angry contempt on to your mean, tense nerves, nervous man, and she is corroding you away. Don’t think you can escape the moon, any more than you can escape breathing. She is on the air you breathe. She is active within the atom. Her sting is part of the activity of the electron.

    “Do you think you can put the universe apart, a dead lump here, a ball of gas there, a bit of fume somewhere else? How puerile it is, as if the universe were the back yard of some human chemical works! How gibbering man becomes, when he is really clever, and thinks he is giving the ultimate and final description of the universe! Can’t he see that he is merely describing himself, and that the self he is describing is merely one of the more dead and dreary states that man can exist in? When man changes his state of being, he needs an entirely different description of the universe, and so the universe changes its nature to him entirely. Just as the nature of our universe is entirely different from the nature of the Chaldean cosmos. The Chaldeans described the cosmos as they found it: magnificent. We describe the universe as we find it: mostly void, littered with a certain number of dead moons and unborn stars, like the back yard of a chemical works.

    “Is our description true? Not for a single moment, once you change your state of mind: or your state of soul. It is true for our present deadened state of mind. Our state of mind is becoming unbearable. We shall have to change it. And when we have changed it, we shall change our description of the universe entirely. We shall not call the moon Artemis, but the new name will be nearer to Artemis than to a dead lump or an extinct globe. We shall not get back the Chaldean vision of the living heavens. But the heavens will come to life again for us, and the vision will express also the new men that we are.”

    —from D.H. Lawrence’s introduction to ‘The Dragon of the Apocalypse’ by Frederick Carter

  2. noochinator said,

    July 10, 2017 at 1:48 pm

    “Don’t let us imagine we see the sun as the old civilisations saw it. All we see is a scientific little luminary, dwindled to a ball of blazing gas. In the centuries before Ezekiel and John, the sun was still a magnificent reality, men drew forth from him strength and splendor, and gave him back homage and lustre and thanks. But in us, the connection is broken, the responsive centres are dead. Our sun is a quite different thing from the cosmic sun of the ancients, so much more trivial. We may see what we call the sun, but we have lost Helios forever, and the great orb of the Chaldeans still more. We have lost the cosmos, by coming out of responsive connection with it, and this is our chief tragedy. What is our petty little love of nature—Nature!!—compared to the ancient magnificent living with the cosmos, and being honoured by the cosmos!

    “And some of the great images of the Apocalypse [(i.e., the Book of Revelation)] move us to strange depths, and to a strange wild fluttering of freedom: of true freedom, really, an escape to somewhere, not an escape to nowhere. An escape from the tight little cage of our universe: tight, in spite of all the astronomists’ vast and unthinkable stretches of space; tight, because it is only a continuous extension, a dreary on and on, without any meaning: an escape from this into the vital Cosmos, to a sun who has a great wild life, and who looks back at us for strength or withering, marvellous, as he goes his way. Who says the sun cannot speak to me! The sun has a great blazing consciousness, and I have a little blazing consciousness. When I can strip myself of the trash of personal feelings and ideas, and get down to my naked sun-self, then the sun and I can commune by the hour, the blazing interchange, and he gives me life, sun-life, and I send him a little new brightness from the world of the bright blood. The great sun, like an angry dragon, hates the nervous and personal consciousness in us. As all these modern sunbathers must realise, for they become disintegrated by the very sun that bronzes them. But the sun, like a lion, loves the bright red blood of life, and can give it an infinite enrichment if we know how to receive it. But we don’t. We have lost the sun. And he only falls on us and destroys us, decomposing something in us: the dragon of destruction instead of the life-bringer.

    “And we have lost the moon, the cool, bright, ever-varying moon. It is she who would caress our nerves, smooth them with the silky hand of her glowing, soothe them into serenity again with her cool presence. For the moon is the mistress and mother of our watery bodies, the pale body of our nervous consciousness and our moist flesh. Oh the moon could soothe us and heal us like a cool great Artemis between her arms. But we have lost her, in our stupidity we ignore her, and angry she stares down on us and whips us with nervous whips. Oh beware of the angry Artemis of the night heavens, beware of the spite of Cybele, beware of the vindictiveness of horned Astarte.

    “For the lovers who shoot themselves in the night, in the horrible suicide of love, they are driven mad by the poisoned arrows of Artemis: the moon is against them: the moon is fiercely against them. And oh, if the moon is against you, oh beware of the bitter night, especially the night of intoxication.

    “Now this may sound nonsense, but that is merely because we are fools. There is an eternal vital correspondence between our blood and the sun: there is an eternal vital correspondence between our nerves and the moon. If we get out of contact and harmony with the sun and the moon, then both turn into great dragons of destruction against us. The sun is a great source of blood-vitality, it streams strength to us. But once we resist the sun, and say: It is a mere ball of gas!—then the very streaming vitality of sunshine turns into subtle disintegrative force in us, and undoes us. The same with the moon, the planets, the great stars. They are either our makers or our unmakers. There is no escape.

    “We and the cosmos are one. The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great gleaming nerve-centre from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time. And if we deny Aldebaran, Aldebaran will pierce us with infinite dagger-thrusts. He who is not with me is against me!—that is a cosmic law.

    “Now all this is literally true, as men knew in the great past, and as they will know again.

    “By the time of John of Patmos, [author of the Book of Revelation,] men, especially educated men, had already almost lost the cosmos. The sun, the moon, the planets, instead of being the communers, the comminglers, the life-givers, the splendid ones, the awful ones, had already fallen into a sort of deadness, they were the arbitrary, almost mechanical engineers of fate and destiny. By the time of Jesus, men had turned the heavens into a mechanism of fate and destiny, a prison. The Christians escaped this prison by denying the body altogether. But alas, these little escapes! especially the escapes by denial!—they are the most fatal of evasions. Christianity and our ideal civilisation have been one long evasion. It has caused endless lying and misery, misery such as people know today, not of physical want but of a far more deadly vital want. Better lack bread than lack life. The long evasion, whose only fruit is the machine!

    “We have lost the cosmos. The sun strengthens us no more, neither does the moon. In mystic language, the moon is black to us, and the sun is as sackcloth.

    “Now we have to get back the cosmos, and it can’t be done by a trick. The great range of responses that have fallen dead in us have to come to life again. It has taken two thousand years to kill them. Who knows how long it will take to bring them to life?

    “When I hear modern people complain of being lonely then I know what has happened. They have lost the cosmos.—It is nothing human and personal that we are short of. What we lack is cosmic life, the sun in us and the moon in us. We can’t get the sun in us by lying naked like pigs on a beach. The very sun that is bronzing us is inwardly disintegrating us—as we know later. Process of katabolism. We can only get the sun by a sort of worship: and the same with the moon. By going forth to worship the sun, worship that is felt in the blood. Tricks and postures only make matters worse.”

    — from ‘Apocalypse’ by D.H. Lawrence

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