LEONARD COHEN AND THE ROLLING STONES: MORE MADNESS 2017

Image result for rolling stones two thousand light years from home

These two acts, Leonard Cohen and the Stones, facing off in a Round One contest in the Song bracket, represent that era in popular Western music when singers with poor singing voices became immensely successful because of catchy melodies and beats, but also because of good poetry.

This is where poetry went—into music—when it was killed off by the Writing Programs in the mid-century, disappearing on the “any scribble can be poetry” prose-train of William Carlos Williams, Ezra Pound and Robert Lowell-teaching-and-drinking-at-Iowa. Poetry, ever resourceful, escaped into popular music and flourished on the lips of Frank Sinatra, Syd Barrett, Arthur Lee, Donovan Leitch and Marc Bolan.

Leonard Cohen, a small, tone deaf man with a two note singing range, became one of the greatest and respected pop singers of all time. He was a poet above all else.

As with Bob Dylan, female singers with lovely voices, like Judy Collins and Joan Baez, swooped in to create sweetness out of Cohen’s songs and words. Poetry transcends musical sweetness, however, for poetry is the music itself. Shhh. Don’t tell this to the modern “poets.”

Bob Dylan was a gigantic influence in the mid-60s—that wonderful window of intellectual and poetic ferment, extolled today by Camille Paglia, pitiful dinosaur! But it’s true, the 60’s was an amazing time for poetry, such that Dionysian, phenomenally successful, rhythm and blues acts like the Beatles and Stones chucked their blues for invention, jumping on the cool bandwagon of Dylan’s poetry.

Ironically, Dylan wasn’t really that great as a poet—far more facile than great, but definitely good—but he absorbed folk and protest poetry in a highly authentic and skilled manner, and pushed it into the rock mainstream in a manic, overdone, hyperbolic, LSD, sort of way in 1965, just when the zeitgeist was waiting for this to happen, apparently, and poetry sprung up everywhere in the music business, as amateur poets, often better than Dylan himself, began to infuse poetry unapologetically into the immediacy of their extremely popular music, which already had a boomer audience of millions hanging on their every word.

So this battle represents that: one of the lyrics is from the 1967 Rolling Stones, when these English white boys, exploiting “black” music, returned to their own “roots” of “white” English “poetry.”

“Two Thousand Light Years From Home” by the Rolling Stones  is the first great “lonely outer space” symphonic rock song, which no doubt influenced what is arguably the best songs ever produced by David Bowie and Elton John—“Space Oddity” and “Rocket Man.”

“Bound for a star by an ocean” is beautiful poetry—by the Rolling Stones! Sure, why not. Their large audience at that time, not yet fully crushed by corporate, dumbed down, entertainment, wanted and expected poetry. It was the 60’s, remember. Poetry’s revenge.

Leonard Cohen’s entry is from a later composition, “Anthem,” (from the 90s, from Leonard Cohen as a wise old man—Cohen established himself in the 60s as a romantic Dylan and Donovan type singer-songwriter).

Bells are cracked, and everything is broken, and that’s how the light gets in.

Cohen’s lyric is too clever, too precious, too abstractly sentimental in its—yes—scientific profundity—breakage is the key to progress and spirituality—Cohen would absolutely win if scientific wisdom were the sole criterion.

But “you’re two hundred light years from home” is more fully poetic, as true poets will understand.

The Rolling Stones advance.

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BEST ONE HUNDRED SONGS TO BREAK YOUR HEART, MAKE YOU SAD, CRY.

We need a list like this, because songs do assault the heart, and the two most readily accessible lists we find on the web of “songs that make you cry” are so-so, mostly devoted to recent and mediocre indie rock songs.

The “songs that make you cry” lists are further limited by a lame criterion of a close-reading of lyrics—many people don’t know this, but this song is really about a friend of a friend of the songwriter who was dying of cancer, etc.

A great sad song should strike one as sad immediately, by itself, on its own, with its own poetry and music and mood—it should not require an actual sad reason why it was composed revealed to the listener—one shouldn’t need to have the lyrics explained in order to be saddened by the song.

And yet, and yet…secret sad meanings hidden in the lyrics…okay, who can resist those?

But here’s the deal: First, if the actual tragedy the lyrics allude to is the source of the heart-breaking song, then how is this any different than if someone simply told you of a heart-breaking tragedy?

Second, it is the discovery of the hidden aspect in the lyrics which does most of the heart-breaking work, for it is this ‘finding out’ which imitates the mechanics of regret: oh if I had only known how much they really loved me! It is this dynamic which is at work in the oh this is what the song means! trick.

Whether the song is about something that actually happened is beside the point. If we are really moved by a song, on some level it is real for us—and nothing more needs to be said on the issue.  Obviously, the point is, when compiling this list, we have considered the total impact on the heart by the song itself. The tragedy (imagined or real) matters, obviously, but more importantly is how it all comes together in the way it is conveyed by the song, so it stays pleasantly in our memory. The melting of the heart by a song (whether “tragic” or not) should be a pleasant experience. Bewitching perhaps, but ultimately a pleasure, since happiness is (or should be) the end of existence. The songs on our list may, or may not, make you cry. But it should be a happy cry.

But the more we ponder this whole question of context, the more it threatens to explode the whole project: what about a song like “Un Bel Di,” from Puccini’s opera, Madame Butterfly, also known as “One Fine Day?” Does one have to know Italian, or the opera’s heart-breaking story from which the song emerges, to appreciate this song?

Well—to truly appreciate the song, yes.

“Context,” which, for the sake of “artistic purity,” we have been trying to mitigate, if not eliminate, keeps looming up, like a moon which needs to shine.

The best conclusion, we think, is this: if the moon is a really beautiful one, and is really shining beautifully—if the song itself really is magnificent—we can expect the listener to also understand the clouds heaped up around that moon—especially if the song is already deservedly popular; or, if the song itself, because of what it is, really deserves, in our opinion, this extra knowledge and attention.

We will not worry ourselves that lists like this can never satisfy everyone, for this does not mean lists such as this are not worth doing. Scarriet’s One Hundred Hippie Songs of All Time, published a year ago, is consistently visited two thousand times a week.

But of course “hippie” is more readily understood than “heart.”

And here we might as well add that the heart needs protection—and this is what T.S. Eliot meant when he famously said poetry is “an escape from emotion”—the heart-breaking song is restrained and cool and artificial to a certain degree precisely so the heartbreak doesn’t overwhelm us. But… isn’t that the point? To be overwhelmed, so the heart “melts?” Yes, but some cry at almost anything—commercials, other people crying—so that the songs on this list aren’t even necessary. Keep in mind we speak of ideal, aesthetic, and universal “melting.” This entire list, obviously, cannot be heart-breaking for you.

Further, in this list we attempt to appeal to all tastes.

The genres of hard rock and blues, the music that “sold its soul to the devil” receives its due punishment by not being included on this list. We could have picked a song like “The Thrill Is Gone” to honor the late, great B.B. King, but we could not find it in our hearts to do so. Work like this is admirable, but, for us, just not heart-melting. The stretched-out, pounding attitude of ‘ain’t life a bitch? doesn’t quite fit what we are after.

The “melting” is not finally from pity, but from the extraordinarily beautiful and wise.

Occasionally the beautifully wise is like ice—but as this list shows, icy perfection rarely melts the heart.  Often it is just a warm, slow melody.

Puccini might be said to have invented the modern pop song, or maybe it was Mozart?  Or Bach?  The hook—and then creeping behind it, another equally as sweet!  And so sweet—it has to be brief.

And then, added to the music, the story and the poetry.  What mortal can resist it?

Anyway, we hope you enjoy our latest, One Hundred Songs To Melt The Heart.

1. One Fine Day (Puccini’s Madame Butterfly Aria, “Un Bel Di,” is the heart-breaking standard: beautiful, involves a young girl’s heart—that sings the song—a sailor, and two cultures on either side of the world—and the “one fine day” never comes. 

2. Nothing Compares 2 U (Sinead O’Connor’s performance of Prince’s song proves sadness is best when it is majestic, observant—“7 hours and 15 days”—and has no bitterness. A tear-jerker for the ages. An electronic standard.)

3. Someone Like You (Adelle’s voice inhabits this Edna St. Vincent Millay-type song’s every pitch, timbre, and mood—resigned, but not resigned—almost as if her very heart were the instrument. Too recent to appreciate? No, this performance is timeless.)

4. Just Say I Love Him (Nina Simone’s six and a half minute, poignant, subtly electric guitar-soaked revery from her neglected masterpiece Forbidden Fruit—1961. If women are dominating this list so far? That’s why they call them divas, fellas…)

5. Video Games (The video of this casually, stupidly languid but passionate song by Lana Del Rey has 83 million views and yes we are in a different era now of perfecting heart-tugging—technically and artistically. A female’s hungry, proud, sultry, deeply expressive voice is still key, however.)

6. Sue Me (Duet between Frank Sinatra and Vivian Blaine.  When her voice tearfully cracks on “I could honestly die.” From Frank Loesser’s Guys and Dolls. The scene itself is semi-comic—it doesn’t matter.)

7. Hurt (Johnny Cash. Noble, yet agonizing. Tears the only defense against this.)

8. Honey (Bobby Goldsboro makes a goddamn movie with a song. Sentimental, perhaps, but the vocal and the lyrics expand possibilities in a way that practically forms a template of its own.)

9. O Mio Babbino Caro (Puccini and Callas. The song doesn’t need translation. Puccini invented pop, perhaps.)

10. There Is A Light That Never Goes Out (The Smiths. Urban, angsty poetry at its very best. The Smiths’ signature sound is divine, in a fake-casual sort of way.)

11. Stranger in Paradise (The Four Aces’ hokey-histrionic performance of this exquisite song is the formula of homely passion which is necessary; it is not icy, classical perfection we’re after. Sigh deeply if you agree.)

12. It’s All In the Game (Tommy Edwards. It’s all in this glimpsed not quite sad perfect gem of a song.)

13. Alameda (Elliot Smith almost wallows too much in self-misery to project: “Nobody broke your heart. You broke your own cause you can’t finish what you start.”)

14. Hello In There (John Prine made a masterpiece for neglected seniors.)

15. Heart of Gold (Neil Young. It’s very hard to write a truly beautiful sad song. The slightest trace of self-pity ruins it.)

16. Saint James Hospital (Pete Seeger’s Youtube ‘video’ of this beautiful, beautiful, somber, ‘dying cowboy’ folk song has only about 3,000 views. A pity.)

17. Turandot  (Puccini. Pavarotti. Music so sweet it hurts.)

18. Lacrimosa (Mozart. The Requiem. The happy genius feeling indescribable pain.)

19. Green Fields (Brothers Four. Layers of slow, trembling, lush, melancholy. Gorgeous.)

20. Wild World (Cat Stevens. An achingly sad ‘lover leaving’ song tinged with impotent fatherly advice. )

21. Blue Velvet (Bobby Vinton sings this as schmaltzy pop–the velvety tune itself transcends its setting.)

22. My Sweet Lord (George Harrison took the most powerful secular format ever: rock music, blended it with religious feelings, in a way which still sounds like a love song: “I’d really like to know you.”)

23. Auld Lang Syne (The Bobby Burns’ tear-jerker.)

24. April Come She Will (Simon and Garfunkle. We can never get enough, it seems, of lost love and seasons. A couple of guys from Queens, New York. Maybe the best singing/songwriting team ever.)

25. You’ve Got To Hide Your Love Away (The Beatles. John Lennon had this love/hate thing with the music of Bob Dylan. Lennon was a genius who hated/loved.)

26. Space Oddity (David Bowie. Alienated by technology, a theme of this great techno-song from our modern era of passionate contradictions.)

27. The Man That Got Away (Judy Garland. Ju-dy Gar-land. Man-that-got-away. Okay?)

28. The Way We Were (Barbara Streisand. Nostalgia from one of the greatest pop divas.)

29. And The Sun Will Shine (Bee Gees. Robin Gibb. Sweet. Vaguely sorrowful. That is all.)

30. I’m Not In Love (10cc. “Big boys don’t cry.” Yes, they do.)

31. If You Go Away (Shirley Bassey best performs this Jaque Brel number of what we all fear.)

32. Dream Brother (Jeff Buckley. A superbly expressed song of beautiful primal longing.)

33. High Your Love (Donovan, from his 1996 Sutras: “Looking for you in the longing of life, and all the time, you were here by my side.” Wow. It’s rare when embarrassingly wise wisdom breaks your heart.)

34. Do You Realize?? (Flaming Lips. A sentimental song that grabs sentimentality by the throat.)

35. Hey That’s No Way To Say Goodbye (Leonard Cohen. The nearly atonal baritone delivery manages to be a mesmerizing diversion. Anyone can sing. Anyone can make music. Anyone can cry.)

36. What Is A Youth (from Zefferelli’s Romeo and Juliet—also known as “A Time For Us.” This lovely song, sung as Romeo and Juliet first cavort at the home of the Capulets is a happy/sad cinematic, musical stunner)

37. Knocking On Heaven’s Door (Bob Dylan. Zimmerman was so sentimental he had to be tough.)

38. The Only Living Boy In New York (Simon and Garfunkel. It is about tall Art going off to an acting gig and leaving small Paul alone, who takes the sweetest revenge in it.)

39. It’s All Too Much (The Beatles from Yellow Submarine. A lesser known song, but it could be the best Beatles’ recording. A pounding, psychedelia of heart-melting sweetness from George.)

40. The Incest Song (Buffy St. Marie. There are tragic ballads galore; this one is quite good—from her 1964 It’s My Way! one of the greatest original folk albums—no, albums—ever recorded.)

41. Go Way From My Window (John Jacob Niles.  An old man’s heartbreaking voice. Bob Dylan would later use the title of this song as a lyric in his sad-but-slightly-snarling “It Ain’t Me Babe.”)

42. Lonesome Valley (Erik Darling. “You’ve got to cross that lonesome valley by yourself.” Lyrics, music, delivery. Easily one of the greatest recordings of all time.)

43. While My Guitar Gently Weeps (George Harrison’s third on this list! “They bought and sold you.” They did.)

44. Chasing Cars (Snow Patrol. “Would you lie with me and just forget the world?” Asked sadly and sweetly.)

45. Don’t Let The Sun Catch You Crying (Jerry and the Pacemakers. String section strains to slow down the finger-snapping beat of the sad, optimistic shimmer. “Ferry ‘Cross the Mersey” is equally as good.)

46. Your Song (Elton John was a throw-back to the Tin Pan Alley days when composers and lyricists were separate people; John wrote all the music; Bernie Taupin, the lyrics: “how wonderful life is that you’re in the world.”)

47. I’ll Be Seeing You (Billie Holiday. This is perhaps the poetic trope: seeing the beloved in other things. And Holiday’s voice is one of those sad ones we love because it talks/sings.)

48. Bridge Over Troubled Water (Simon and Garfunkel. Their album of the same name beat out Let It Be for the Grammy as the 60s came to an end, Art & Paul and the Beatles splitting up.)

49. I Think It’s Going To Rain Today (Judy Collins sings it from her magnificent 1966 covers album “In My Life.”)

50. It Was Sad When That Great Ship Went Down  (Honestly, we couldn’t find the definitive recording of this great, great folk song of the Titanic disaster. Probably Pete Seeger.)

51. Perfect Day (Lou Reed. Languid masterpiece from another artist with “a voice that came from you and me.”)

52. Lady Jane (The Brian Jones era Rolling Stones. Old people back in the 60s who hated noisy rock must have been taken aback when songs like this were produced.)

53. A Day in the Life (Beatles. The reflective, sad quietness of this song reflects the touring band, going in the studio, growing up.)

54. Walk On By (It can’t help but feel a little like Bacharach, David and Warwick is music as business. A perfect business. Imagine these three as unknowns, turning out hundreds of songs a year, and then the whole cache is discovered.)

55. Sarah (Scarrietmeister. We include our own singing, songwriting, and producing only to prove that Poe was right: only a good poet can be a good critic. We humbly write and record music, and that’s why we can sensitively and lovingly make these lists.)

56. Smile (The lyrics are iconic; the musical credit goes to Charlie Chaplin, who first sang it in his 1936 film, Modern Times. Which is how life works: you’re working on a movie and then a song comes to you…)

57. End of the World (Skeeter Davis asks “Don’t they know it’s the end of the world?” in one of the sweetest, simplest, and most poignant songs of all time.)

58. Do You Really Want To Hurt Me (The reggae beat, the bend-y notes, the hopeless, self-effacing melancholy required, perhaps, a Boy George, to make it happen; or was this song inevitable?)

59. Smoke Gets In Your Eyes (The songwriting team of Jerome Kern and Otto Harbach wrote this for their 1933 musical. Great songs are inevitably written for something…a musical, a movie, a friend, etc)

60. Moon River (Once lyricist and Georgia native Johnny Mercer put “moon” with “river, the song probably wrote itself; he originally tried “blue river,” but found it was already taken. “Huckleberry friend” worked, too.)

61. Over the Rainbow (The best songs are simple ones: “somewhere,” became for the songwriting industry what “nevermore” was for poetry; the octave jump from some to where launched us “over the rainbow.”)

62. Good Night Irene (Leadbelly learned the song in the South from family in the beginning of the 20th century. Pete Seeger with the Weavers—before Elvis—made black music for the American masses: Billboard’s no. 1 song for 1950, the year after Leadbelly died.)

63. I Will Always Love You (Written and recorded by Dolly Parton in 1973 and made into a monster hit by Whitney Houston in 1992. Both times for a movie.)

64. Come All You Fair And Tender Maids (Pete Seeger sings it best. You hear a beautiful, old, neglected folk song like this and you can’t help but wonder how easily today’s pop machine could make it a “hit.”)

65. September Song (Lotte Lenya sings this sad song written by her husband, Kurt Weil)

66. You’ve Got A Friend (Carol King wrote it and James Taylor recorded it in a comforting blast of singer/songwriter bliss.)

67. Ave Maria (Schubert. Uplifting. Can the heart follow?)

68. Are You Lonesome Tonight? (Elvis Presley was a rocker, but also country western—a genre, we are aware, that is not represented well by our list. Hank Williams moans and cries, and we won’t deny the greatness of this music, but heart-wise, it often sounds too quirky or cornball to our N’eastern ears.)

69. Sheep May Safely Graze (Kirsten Flagstad does a pretty good job with this Bach cantata.)

70. The Three Ravens (Alfred Deller sings in the “sweet and high” style this ancient English ballad about a dead knight and his faithful animals.)

71. An Affair To Remember (Nat King Cole. One of the great heart-melting singers. Beautiful, sad song from the beautiful, sad film.)

72. Is That All There It Is? (Peggy Lee gets deep.)

73. The Winner Takes It All (ABBA. Is this really true?  Is there a “winner” in love? It doesn’t matter, because the song makes it true.)

74. Where Have All The Flowers Gone? (Pete Seeger’s song, fashioned from other sources in 1955. It led to Dylan’s question “How many roads must a man walk down?” and the rest is folk/rock/pop history.)

75. Those Were The Days (Mary Hopkin. Does history kill nostalgia? The Beatles produced this.)

76. My Cherie Amour (Stevie Wonder recorded it; he and two others wrote it. Sweet, sad, pop perfection.)

77. Cry Me A River (A jazz standard embracing heartbreak for two.)

78. Another Day (Paul McCartney wrote a lot of sad, clever, touching songs; he sang this one with Linda.)

79. A Day In The Life Of A Fool (Jack Jones does a solid job with this sob-fest from Brazil. Black Orpheus is the 1959 Academy Award winning film which made the song famous.)

80. It Was a Very Good Year (Songs that look back over life are usually a pretty good bet to be at least mildly heart-breaking. Frank Sinatra is the wistful deliverer in this case.)

81. Oh What Wondrous Love Is This? (A spiritual which is similar to “Amazing Grace,” and just as good.)

82. Wish You Were Here (Pink Floyd. Syd Barrett was their songwriter, and then, after he tragically left, the subject of their best work.)

83. I Don’t Like Mondays (Boomtown Rats. A big hit in England, Bob Geldoff wrote this song in 1979 from a news story out of San Diego, California: a 16 year old girl went on a shooting spree for no apparent reason.)

84. Hey There Delilah (Plain White Ts. Songs with girls’ names are usually a good start.)

85. Indian Summer (The Doors had a bunch of haunting little numbers like this. It is argued often that Morrison was not a “real” poet, but this group used Brecht/Weil and William Blake in their recordings. They were one of the truly poetic rock groups, far more sensitive than most.)

86. Time Of Your Life (Green Day. A breakup song that doesn’t quite sound like a breakup song—the most noble kind.)

87. La Vie En Rose (Edith Piaf is the world’s favorite female French singer. This one song will have to represent the lovely French cafe tradition. Our favorite album of this type is April In Paris by Jacqueline Francois.)

88. You Are My Sunshine (First recorded in 1939; covered numerous times. Sing it to your kid.)

89. Bittersweet Symphony (The Verve. We love the video of Richard Ashcroft knocking people over in London as he lip-syncs.)

90. Viva La Vida (Cold Play. An uplifting number. The lyrics are somewhere between profound and hazy, but the song is catchy enough so one doesn’t care.)

91. It Will Rain (Bruno Mars. Perhaps the best from this visceral writer/performer. This one was co-written for a movie—“Twilight.”)

92. Careless Whisper (George Michael. Co-written with his Wham! partner when they were unknown. Sexy. Depressing. Very 80s.)

93. Come As You Are (Nirvana. Kurt Cobain generally expressed pain very well—some might feel this song is heart-breaking.)

94. Maggie May (Rod Stewart. A sad, in-love-with-an-older-woman, not-knowing-what-to-do-with-my-life song.  Doesn’t try to be a heart-breaking song, but it is.)

95. Fortunate The Man With None (Dead Can Dance. The lyrics come from a Bertolt Brecht poem.)

96. I Say A Little Prayer (Aretha Franklin sings one of the sweetest songs of all time.)

97. Nights in White Satin (Moody Blues. “Just what you want to be, you’ll be in the end” is a killer.)

98. Dear Mama (Tupac. The late rapper appreciates his mother.)

99. Everybody Hurts (R.E.M. Many songs tell stories, give advice, but not that many are written specifically to reach out and comfort.)

100. Blue (Marina and the Diamonds. Released this year; energetic and vapid, as all ‘young people’s music of today’ seems to those who are older. But it’s still about the heart.)

THE TOP ONE HUNDRED POPULAR SONG LYRICS THAT WORK AS POETRY

The phatic is common to both song lyrics and poetry; music aids the lyric, condemning it to be not quite poetry forever, while poetry is its own music, condemning it to be naked without music forever.

The two are never reconciled—the standard of poetry is never–-never—reached by song lyrics, which breaks the poet’s heart, a heart which travels into music’s realm, shunning its help.  Madness and torture!  Why do the two exist–-never to meet!  Poetry and music!  Divided heart!  Divided mind!  Poor, divided mankind!

As a healing device, we list the top 100 Song Lyrics As Poetry of All Time, with the single criterion: when we hear the song, do the lyrics intoxicate us as much as the music?

Note we do not ask the song to be judged as poetry—as words on the page.   And yet—and yet—words are being judged.

The list below is not based on reading the lyrics alone on the page as if it were a poem, for this is to take the creature out of the water: we judge the lyrics with its music as poetry.

If an especially beautiful music accompanies the words of a particular song, making the words even more beautiful, we have to assume the words are responsible; the songwriter will sometimes experience this phenomenon: words inspire the music, as if the words and music were born together.  It is as if the music were an aura around the the words—words which nonetheless are not strong enough to be poetry, since they need the music.  We celebrate this paradox—in our list—of poems which are not poems.

If one were to boil down the two essential criteria they would be: 1. originality and interest and 2. strongly realized feeling or idea, but we’ll briefly comment on why for each song.

1 Perfect Day  (Lou Reed)  performed by Lou Reed   —Why: The haunting ambiguity: drug fix or romance? “I thought I was someone else, someone good”
2. Day In the Life  (Lennon/McCartney)  performed by The Beatles   –“Now they know how many holes it takes to fill the Albert Hall”
3. The Good Life  (Distel/Broussolle/Reardon)  performed by Nancy Wilson  –A love song with a tantalizingly puzzling message
4. Coming Back To Me  (Marty Balin)  performed by Jefferson Airplane  –“Through a window where no curtain hung I saw you…coming back to me…”
5. Like A Rolling Stone (Bob Dylan)  performed by Bob Dylan –“You shouldn’t let other people get your kicks for you”
6. America (Paul Simon) performed by Simon & Garfunkle –“Toss me a cigarette I think there’s one in my raincoat…”
7. Over the Rainbow  (Arlen/Harburg) performed by Judy Garland  –“That’s where you’ll find me”
8. Is That All There Is?  (Lieber/Stoller) performed by Peggy Lee  –A life-flashing-before-your-eyes song
9. Ruby Tuesday (Jagger/Richards) performed by Rolling Stones  –“She comes and goes, no one knows…”
10. Both Sides Now  (Joni Mitchell) performed by Judy Collins  –“I don’t know clouds at all…”
11. I Want You (Bob Dylan) performed by Bob Dylan  –“The cracked bells and washed out horns blow into my face with scorn…”
12. Forbidden Fruit (Oscar Brown Jr) performed by Nina Simone –“Eve and Adam had a garden, everything was great…”
13. American Pie (Don McLean) performed by Don McLean  –A perhaps overly sentimental tribute to Buddy Holly…”the day the music died…”
14. Lather (Grace Slick) performed by Jefferson Airplane  –A haunting lyric about growing up…”Lather was thirty years old today…”
15. She Loves You (Lennon/McCartney) performed by The Beatles  –“She” instead of “I” makes it a song about three people instead of two…
16. Me and Bobby McGee (Kris Kristofferson) performed by Janis Joplin  Best going-down-the-road song ever.
17. If You Go Away (Jacque Brel)  performed by Shirley Bassey  –One of those crushingly crushed-up love songs
18. Horse With No Name (Dewey Bunnell)   performed by America  –“The heat was hot…”  You can walk into this song…
19. Yellow Submarine (Lennon/McCartney) performed by The Beatles  –Intimates the ‘we’re-all-together’ spirit so nicely…
20. Jennifer Juniper (Donovan Leitch)  performed by Donovan  –“I am thinking of what it would be like if she loved me…”
21. Being for the Benefit of Mr. Kite (Lennon/McCartney) performed by The Beatles –Phantasmagoria at its best.  “And of course, Henry the horse…”
22. Maggie Mae (Stewart/Quittinton) performed by Rod Stewart  –“I suppose I could collect my books and get on back to school”
23. Play With Fire (Phelge) performed by The Rolling Stones  –“Well you’ve got your diamonds and you’ve got your pretty clothes…”
24. Mrs. Brown You Have A Lovely Daughter (T. Peacock) –The boy complains to the mother…different.
25. You’re Lost Little Girl (The Doors) performed by The Doors –The “little girl” is really the one in control; one can hear William Blake in it…
26. Sunny Afternoon (Ray Davies) performed by The Kinks  –“telling tales of drunkenness and cruelty…”
27. Yesterday (Lennon/McCartney) performed by The Beatles  –A simple, but perfect lyric: “yesterday came suddenly…”
28. Fakin’ It  (Paul Simon) performed by Simon and Garfunkle  –a  masterpiece of introspective nostalgia
29. Maxwell’s Silver Hammer (Lennon/McCartney) performed by The Beatles  –“Rose and Valerie screaming from the gallery…”
30. Just Like Tom Thumb’s Blues (Bob Dylan) performed by Bob Dylan  “When you’re lost in the rain in Juarez and it’s Eastertime too, and your gravity fails…”
31. Fire and Rain (James Taylor) performed by James Taylor  — a wreck of a song, in the best possible way…  “I always thought I’d see you one more time again…”
32. Irreplaceable (Beyonce, Ne-Yo, Eriksen, Hermansen, Lind, Bjorklund) performed by Beyonce  “You must not know ’bout me…”
33. Mona Lisa (Evans/Livingston) Nat King Cole –“They just lie there and they die there…Are you real, Mona Lisa?”
34. Cry Baby Cry (Lennon/McCartney) The Beatles  –“The duchess of Kircaldy always smiling and arriving late for tea…”  one of John’s best…
35. Night And Day (Cole Porter) Fred Astaire  –“in the roaring traffic’s boom, in the silence of my lonely room I think of you, night and day…”
36. As Time Goes By (Hupfeld)  Dooley Wilson  –“hearts full of passion, jealousy and hate…”
37. Ferry Cross The Mersey (Marsden) Gerry and the Pacemakers  –“we’ll never turn you away…”
38. Georgia On My Mind (Carmichael, Gorrell) Ray Charles  –“Georgia, Georgia, the whole day through…”
39. Ring Of Fire (Gilgore/Carter) Johnny Cash  –“the flames gettin’ higher…”
40. The End (Jim Morrison) The Doors  –“this is the end, beautiful friend, no safety or surprise, the end…”
41. The Times They Are A Changin’ (Bob Dylan)  Bob Dylan  –the ultimate protest/wake-up-to-reality song…
42. Everyday (White, Crisler)   Buddy Holly  –“Everyday, it’s a gettin’ closer, goin’ faster than a roller coaster…”
43. All You Need Is Love (Lennon/McCartney) The Beatles  –“There’s nothin’ you can’t do that can’t be done…”
44. This Land Is Your Land (Woody Guthrie) Woody Guthrie  –“This land was made for you and me…”
45. My Generation (Pete Townsend) The Who  –the slinging, self-righteous, celebratory anger of the 60s in 3 minutes…
46. Let It Be (Lennon/McCartney) The Beatles  –“Mother Mary comes to me…”
47. What’d I Say (Byrne/Robinson) Ray Charles  –“Tell me… What did I say?”
48. Sympathy For the Devil (Jagger/Richard) Rolling Stones  –Jagger wrote a Bob Dylan-type ballad and the Stones added mayhem..
49. Crazy (Willie Nelson) Patsy Cline  –“Crazy for cryin’ and crazy for tryin’…”
50. A Whiter Shade Of Pale (Brooker, Reid, Fisher) Procol Harum  –“and the waiter brought a tray…”
51. I Say A Little Prayer For You (Bacharach/David) Dionne Warwick –“The moment I wake up, before I put on my makeup…”
52. Dream A Little Dream Of Me (Gus Kahn) Mamas and Papas  –“Stars shining bright above you, night breezes seem to whisper I love you…”
53. California Dreamin’ (Phillips) Mamas and Papas  –“Well I got down on my knees and I began to pray…”
54. Hotel California (Felder, Henley, Frey) The Eagles  –“But they can never leave…”
55. Walk On By (Bacharach/David) Dionne Warwick  –“make believe that you don’t see the tears…”
56. Guess Who I Saw Today? (Grand/Boyd) Eartha Kitt  –what a beautifully constructed little urban story…
57. Lovely Rita (Lennon/McCartney) The Beatles  –“sitting on a sofa with a sister or two…”
58. White Rabbit (Grace Slick) Jefferson Airplane  –“and the white knight is talking backwards and the red queen is ‘off with her head!'”
59. My Favorite Things (Rodgers/Hammerstein) Julie Andrews  –“Raindrops on roses and whiskers on kittens…”  Keatsian.
60. Smoke Gets In Your Eyes (Kern/Harbach) The Platters  –“Now laughing friends deride…”
61. Stranger In Paradise (Borodin, Wright, Forrest) Tony Bennett  –“If I stand starry-eyed, that’s a danger in paradise…”
62. Misty (Garner/Burke) Johnny Mathis –“When I wander through the wonderland alone…”
63. (They Long To Be) Close To You (Bacharach/David) The Carpenters –“Just like me, they long to be close to you…”
64. Ain’t Misbehavin’  (Waller,Brooks, Razaff) Fats Waller –“I’m home about eight, just me and my radio…”
65. Don’t Get Around Much Anymore (Ellington/Russell) The Ink Spots –“They’d have asked me about you…”
66. I’ll Be Seeing You (Fain/Kahal) Billie Holiday –“In all the old familiar places that this heart of mine embraces…”
67. Mack The Knife (Brecht/Weil, Blitzstein) Bobby Darin  –“Oh the shark has pretty teeth, dear…”
68. Pirate Jenny (Brecht/Weil) Lotte Lenya  –“Asking me, kill them now, or later?”
69. Tiptoe Through The Tulips (Burke/Dubin) Tiny Tim –“tiptoe from the garden, by the garden of the willow tree…”
70. What Is And What Should Never Be (Led Zeppelin)  Led Zeppelin –“and if you say to me tomorrow oh what fun it all would be…”
71. Golden Vanity (anonymous) Pete Seeger –a tearful adventure novel packed into song…”and down sunk he…farewell, farewell to the Golden Vanity…”
72. Star Spangled Banner (Key) Various Artists  –“O say can you see, by the dawn’s early light?”
73. Tiny Dancer (John/Taupin) Elton John  –“Jesus freaks out on the street, handing out free tickets for God…”
74. White Christmas (Irving Berlin) Bing Crosy     Best-selling single of all-time, according to the Guinness Book of World Records
75. Barbara Allen (anonymous) Pete Seeger  –the most popular of the old ballads…”oh mother, mother go make my bed…”
76. Tenderly (Lawrence/Lawrence) Sarah Vaughan –“the evening breeze caressed the trees tenderly…”  this is not corny; this is poetry
77. Lady of Carlyle (anonymous) Pete Seeger  –another beautiful old ballad…”and for a space of half an hour, this young lady lay speechless on the ground.”
78. Take Me Home, Country Roads (Denver, Nivert, Danoff) John Denver  –a big, outdoors song, one the best…”Almost heaven, West Virginia…”
79. Winter Wonderland (Bernard/Smith) Various Artists –so many great Christmas songs, but this one is especially charming…
80. If I Had A Hammer (Seeger/Hayes) The Weavers –Pete Seeger, who cut Dylan’s cords at Newport, was Dylan before Dylan…
81. Wayfaring Stranger (anonymous) Burl Ives  –“I’m going there to see my father, I’m going there no more to roam…”
82. Silent Night (Gruber/Mohr) Various  –the Ur-Christmas carol…
83. Paint It Black (Jagger/Richard) Rolling Stones  –“I see a red door and I want to paint it black…”
84. Every Breath You Take (Sting) The Police –“I’ll be watching you…”
85. It’s All In The Game (Dawes/Sigman) Tommy Edwards  –“And your hearts will fly away…”
86. You’re So Vain (Carly Simon) Carly Simon –“And your horse naturally won…”
87. Killing Me Softly With His Song (Fox/Gimbel) Roberta Flack –“I felt he found my letters and read each one out loud…”
88. It’s My Party (Gluck, Gold, Weiner) Lesley Gore –“I’ll cry if I want to…”
89. The End Of The World (Shave, Smith, Pebworth, Astasio) Skeeter Davis  –“Don’t they know it’s the end of the world?”
90. Under the Boardwalk (Young/Resnick) The Drifters  –“People walking above…”
91. It’s Now Or Never (Schroeder, Gold) Elvis Presley –“Tomorrow will be too late…”
92. I Will Survive (Perren/Fekaris) Gloria Gaynor –“At first I was afraid, I was petrified…”
93. Moon River (Mancini/Mercer) Andy Williams –“we’re all after the same rainbow’s end…”
94. Paper Moon (Arlen,Harburg, Rose) Nat King Cole –“it’s only a paper moon over a cardboard sea, but I’ll believe in make-believe if…”
95. Bennie And The Jets (John/Taupin) Elton John  –“she’s got electric boots, a mohair suit, you know I read it in a magazine…”
96. Freed From The Gallows/Gallows Pole (anonymous) Ledbelly  “I think I see my mother coming, riding many a mile…”
97. She’ll Be Comin’ Round The Mountain (anonymous) Pete Seeger  –“she’ll be riding six white horses when she comes…”
98. Jam On Jerry’s Rocks (anonymous) Pete Seeger –“crushed and bleeding on the beach lay the form of young Monroe”
99. Come All Ye Fair And Tender Maidens (anonymous) Pete Seeger  –I wish I were a little sparrow and I had wings and I could fly…”
100. Groundhog (anonymous) Pete Seeger –“We’re all going out to hunt groundhog…”
101. September In The Rain (Warren/Dubin) James Melton –“The leaves of red and brown came tumbling down, remember?”
102. Pretty Polly (anonymous) Pete Seeger   –“Leaving nothing but the wild birds to moan.”   We had to include one murder song…
103. Danville Girl (anonymous)  Pete Seeger  –“She took me to her kitchen, she treated me nice and kind…”   And one hobo song…

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