WHAT DO WE DO?

What do we do?
Intelligence is worry.
Must my lover worry
the whole night through?
I chose her because her sensitivity
was a spell.
Her beauty demanded intelligence.
She was intelligent. I could tell.
This morning she looks different.
"I didn't sleep," she avers.
"And it's your fault. You're a creep."
The worst thing about the courtship
was I was always in a hurry.
Late for work because I was dreaming of her.
When she gave in, she was a flower.
Things are different this hour.
Something seems strange.
I study her face. My blood cools.
Intelligence is worry---
there's nothing I can do.
I say goodbye.
Not looking back, I hurry.

WHO IS CONVINCED

Who is convinced there is life
after death? Not I.
I am like the rest: the thought of death at midnight
causes me to cry.
Sleep alone causes me to sleep.
We get no poems except poets are sleepless and weep,
doubtful in youth, doubtful in their old age---
though Socrates has proven the soul is immortal!
I can show you the book, the chapter and the page.
But that's just it. In the poem you find only more poem.
You need to discover the line,
the poem convinces the poem,
you need to drink the wine
which tastes like all the others
and lie down and dream happily
(I'm glad you taste my poetry)
but in that intoxicated sleep
of dreaming joy, it is not for happiness you weep
but for plain, child-like sorrow:
everything will change,
everything will be new and strange tomorrow.
Encircling dream! Will I be immortal
and always see
the familiar life in my immortality?
But truthfully I love the quiet and the strange.
I can't tell you anything. And this poem will change.

IT WILL NOT BE

What does it mean to see
former beauty
in the face of one you loved?
It will not be
any longer in the poetry,
even as what we see
expands downward into the past,
making our view
a mountain-view at last,
a thousand regrets to stand on,
lifting us into the light,
as all that was former
darkens into light.
New! New! All that we knew---
now no longer beautiful.
It will no longer fight.
The dropping of the rain
from what had been a beautiful cloud,
the shape of a woman moving,
sanctimonious, careful,
indifferent beside the crowd---
now less jealous and possessed.
You desired her only in private,
and she was almost there,
the privacy interrupted, unfortunately, by your care,
you, almost as bad as the crowd
milling and pretending---your mercy, your stare.
But the crowd has lost
interest; my imagination
must now supply the war.
If you wish, curiosity can be loud,
like the young actor who says his lines
badly, too dramatically,
the way intimacy sometimes confines.
She will have no part of me now.
Acting is always troubling,
pop songs repetitive,
love, little more than etiquette.
Your relatives. The stupid trips to Connecticut.
There's pleasure. But less beauty now.
Large clouds are closer.
My poetry is leaving.
Exit this way. Here.
The world will show you how.

HER ARM

Her arm the neck, her hand
the head of a swan
in some crazy song by Donovan
which has offended Bob Dylan again.
You can joke all you want
about rivalries long ago
but contested ground
produces sweet sound.
Capitalism is the only friend I know.
The happy accident always wins
even if it fantastically sins.
They print more money for the holiday.
Freedom! My cliché!

SILENT IN THE FACE OF STUPID

Silent in the face of stupid
is all we can really do.
Stupid has friends.
You want stupid messing with you?
Then keep quiet. Stupid goes deep.
It loves. Of course it loves. You'll weep.
Stupid has thrived for generations,
molding itself to error in the profitable institutions.
In simple intimacy---
where not even secrecy is there---
(nothing stupid about intimacy
and its overhanging hair)
we can discuss stupidity gladly
and laugh at each other. We saw
stupidity forsake love---terrified to lay down the law.
You and I can explain our silence---
then sighing, be silent,
after saying what we saw.

I ESCAPED MY SORROW

I escaped my sorrow with the days.

Old shows ended. But they wrote new plays.

Actually, the days stretched into years.

I escaped my sorrow. I found novel ways.

Days became divided from each other,

and thoughts of my love became less

inside smaller thoughts.

I was the musician

too talented to write songs. Many instruments played

but not one original melody stayed.

Quick to find, but quick to lose. My imitating spirit

sought the prettiest things.

The hair shines, the instrument sings!

But nothing stays!

I escaped my sorrow. Fortunately there were ways.

I FORGOT WHAT WAS WRONG

I forgot what was wrong.
In an act of pure evil,
I no longer thought about the world.
Evil is able to sleep. Good cannot.
Torture is lack of sleep.
Sleepless hurts a lot.
The good are wakeful,
alive and grateful.
But I'm going to bed early,
a wretch seeking comfort and dreams.
Good's reality is only what evil, sleeping, seems.
Everything has already happened,
not only because it's happened,
but how can what's happened not determine what will happen?
It's profound to know this and relax.
The profound is mostly found in books.
But this is truly profound.
Quiet breathing. Bach in the distance.
How my dream looks.


THE PINNACLE

The pinnacle of literary expression is the short story.
It is the novel boiled down to a poem---
a poem with longer hair, an essay's curls.
People are clouds which get tired.
Instead of changing, instead of shifting with the wind,
we slow down on the first flight of stairs,
preferring to take the elevator.
Even a basketball star breathes heavily after a minute.
We remember novels.
Everyone who remembers is a novelist,
writing and remembering as easy as breathing;
literary skill depicts the embarrassments of others
and this happens when we lose at basketball because we got tired.
We couldn't keep loving someone---
not because we got physically tired.
We were a cloud and the wind, which blew us,
made us disappear forever.

HI DAD

Thomas West Graves 1930-2024
William Arthur Graves 1957-1959

Hi dad, it's me, William---
the little guy who went away.
You'll never forget that April day---
when the world that was small took the world away.
Andy and Tommy were too young to remember,
but you were in your twenties. You could not look away.
Hi dad, it's me, William,
the little boy who caused you pain.
Pain causes more pain.
How do we stop tragedy from happening again?
I was the darling who said goodbye
and a whole life followed
in which you couldn't cry
and had to be responsible.
Sarah came, and Ed.
I was the good child. I was dead.
Who could forget that April day
when normalcy ended?
In the days that followed,
days happy and calm,
normalcy, to live, was delicately defended,
pain, comfort, knowing, forgetting,
by mourning delicately blended.
Eternal, those records of my little death,
records stored in a room, in your mind, until now
as I welcome you into heaven
which, to them, is your death.
Who knows where we go from breath to breath?
Who knows what occurred until now?
You lived. I kept living---
only the mourners know how.
Only sadness understands my life.
Sadness, my mother, my sister, my wife.
Shadow of the cypress!
The long, appalling cloud
my comfortable shroud.
My life was mostly a shroud.
Muffled. Never loud.
Every day a sunny April day,
neither cold nor warm.
Flowers and birds of the yellow kind
Yell inside my quiet mind.
I kept living. Now you know how.
This memory wraps me in a crimson cloth,
this poem wraps me in a cloth that's white
as Maryland meets Vermont tonight.
Hello, dad. William, here.
You tried to forget, and now you can forget, the tear.
Miraculous distance. And now we are near.
Do I have more to say
About what happened after that April day?
After I said goodbye, fearfully and alone?
Does life live beneath the stone?
The dead are awkward and unknown.
You stared into the darkness
as all mourners do.
Death doesn't provide much of a view.
Even imagination found it impossible!
The poets didn't know what to do!
Poetry falters when one dies at two.
I came down with a cough.
I took some time off.
The world I missed is full of intricate sorrow,
some for today, and more for tomorrow.
So much I escaped,
though I never intended to.
I didn't say goodbye to you.
Your family looked into the darkness, too
(the family you loved)
And you wondered (o wonder of wonders!)
if I saw you.
You don't recognize me---
I grew. My meals were few.
I thought, for many, many hours, pleasant thoughts.
I fed on heaven and poetry.
See how tall these made me!
They made me handsome and tall.
The roots and tendrils of poetry
made garlands for me in heaven.
See how tall poetry made me!
The memory of me is not all.
I saw you trying to be good.
I saw you chopping wood.
I saw you fixing cars and reading.
I saw you trying to be good.
I waited. Waiting was poetry.
Yes, I'm the one who caused you pain---
and mom (who is here) was at your side.
There are sadnesses which won't go away
despite a universe of tears;
there are sadnesses which move upon the movement of the years.
There are many things that go away.
To many, this thought is poetry
But we can forget that now.
Here is a new poetry.
Let a new poetry show you how.
Once again, dad, you can move towards me.
Heaven is a yellow April day.
Time to be.
Hi dad. It's William. It's me.



SO THAT SCIENCE

So that science can exist,
someone must examine, from at least one remove
every single thing you see---
didn't you experience their love
oddly and distantly?
Theirs is the scientific impulse,
a perfectionism we can never reach,
though we kiss them and hold them,
discuss life with them and walk hand in hand
inside the narrow beach.
The sand is not sand to them---
they resist every name---
by which we assume things are different,
somewhat similar, or the same.
He trips up your thinking by pointing out
a fact so self-evident
it puts what you knew in doubt.
It is your thinking you finally love the most.
Your thinking, the thinking of your friends.
You need your thinking more than anything.
You've never loved anyone like this.
But the love ends.

THE OTHER WORLD OF SLEEP

There is the other world of sleep

where such mute expression is,

simple, shallow—but distant, deep.

It is profound and grand enough for itself;

beautiful, and beautiful without a single doubt

and yet miserable for one reason—

though profound in its depth, it wants to get out.

It wants to speak to you.

There are details to its dreams,

nuances and perplexities

where the hues and rain cover up what it means

and it can’t say

whether sleep is for sleep

or for you, staring, in the sane day.

POETS DON’T LIKE BOOKS

Poets don't like books or information. They hate writing.
They don't care for speech, either. Or what the professor said.
Your memory is what they want, not theirs.
They need to put a poem inside your head.
That's their immortality. It sings
its poetry between your ears.
When Joseph Obvious died, they boxed up his things.
His attempt at notoriety was defeated by the years.
Poets existed before books and writing.
Music was not forgotten.
Reluctantly, poets---wrote.
Reluctantly, poets took up books.
A muse was the world. But she forgot.
The poets hate information and the places it is put, too.
They want the nation to be memorization.
They want a lovely poem to live inside of lovely you.

WE ARE MOVING

We are moving towards the same thing

but moving away from each other.

The more radically different we are,

the more we are the same.

Compared to the serene, indifferent universe,

people are impatient, doubtful, insane.

In favor of gay marriage, this one seeks normalcy.

Forgetting that gay exists, this one seeks normalcy, too.

Poetry is normalcy in every possible way.

Remember that embarrassing incident?

Was that us? Remember that day?

You thought I was gone. Well, damn.

You were so certain.

But here I am.

INFINITE PATIENCE

Who knows the infinite patience

(the bricklayer cutting bricks in the rain)

practiced by everyone in their life?

I will not write of mine, I will not discourse

on my infinite patience, for that would be to complain.

If you hear irritation in my intonation,

where’s my heralded patience then?

Every time I wake, or go to bed,

the dog wants to be let out again.

It happened. The dog became my friend.

It wasn’t my idea to get the dog. Nor the cats,

who require love I once gave only to you.

You were patient.

And death, who is the most beautiful,

waits patiently in this poem, too.

My imitations were tranquil.

Not one sigh. Where would my patience be then?

Nothing in this poem is complaining.

Why is the laborer in love? Why is it raining?

WHY DESTROY THE WORLD?

If I can ignore those annoying me,
why destroy the world?
The world has good things in it,
including me. The sky
was tall and blue in my childhood---
the sky once made me cry
just for being up there,
just for being the sky.
I am the most sensitive.
It isn't right that I should die.
I write for the censors,
for the small group with power
to take our speech away.
I pretend concern every hour.
That's why ordinary folk are delighted
by what I say.
The secret of my mind
is my audience---
the secret censors. They have the right to be kind;
their kindness matters.
They could destroy the world---
and they might do it, too.
They are like me. Complicated.
If you only knew.